Propositions and openings (1-25)

[1]    


We’re all born in an unpropitious place in the world and have only a short lifetime to locate home. Here’s my example.                


[2]    


The gods are many, and they give signs. There is magic.                 


[3]    


The cosmos is flux and transcends the material. But even in that there are identities the cosmos needs and recognises. This relation is seen in the two land zones; where I am, and where I started. Also in the multiple lives of a single person.


[4]    


There’s nothing in the infinitely adaptable human character to stop it wrecking itself in great and small ways. Time, materialism, monotheism and their languages. There’s a lousiness for one’s type of adaptation.      

 

[5]    


Love is hard, but very likely sometime or other.                 


[6]    


England has been absolutely screwed up and sold, right through to the baby’s balls.                 


[7]    


Life and its opposite co-exist in the same phenomena. We have seen this and are forever baffled. Love look turns to [loverface?].  


[8]    


The body of the man who is to be executed is a growing treasure. Dead, it is a diminished one.                


[9]    


I want to be alive on the day I die.                 


[10]    


Some god ***. The gods have to be nameless.                 


[11]    


Spent all his life playing for time. All of it.                 


[12]    


An artist goes about. Gives true reports. Invents forms for things to flow into. Puddling.  For other people’s thoughts. Enticer. Decoy marks. 


[13]    


The tenses of the language dispose of what’s past.


[14]    


The population of the world replaces itself at a great rate. Already the 19th century is depopulated; the Austro-Hungarian Empire &c &c.                 


[15]    


A rarefied wheedling puritanical dualism speaks over us.                 


[16]    


The final judgment of life lasts long after death and can be kept. It needn’t be explicit.    


[17]    


Having made prosperity in the image of Hell, is the mansion a mansion in Hell or a Paradise? (Soma Avenue).                



[18]    


How public does an event have to be to be magical/sanctified? (Mr Fellows, Mr Broughton).                

[19]    


When what is not sexual brims and flows easily across into what is, the mystery of sex is greatest.


[20]    


The task of learning the world from the people of a single street.                 


[21]    


Ceremonies turn time over till it shows like the mercury in a thermometer.                 


[22]    


The mercurial nature turns down and goes deep. Its depth is not single any more than its superficiality was.                 


[23]    


Identity is what can be thrown away.                


[24]    


The old mouths, the dead mouths insist on speaking.


25]   


The gods have to put saucers out for men to get them to be curious about what’s going on.